Clean and Elegant

Clean and Elegant
Showing posts with label creative recovery. Show all posts
Showing posts with label creative recovery. Show all posts

Wednesday, 27 April 2016

Performative Grilled Cheese, by Erica J. Schmidt

Last week I got to translate several dramatic and prestigious sentences about a Burlesque show. It was all very sophisticated, and full of performative issues.

For example: Is art able to erase the performative nude body?

When and how does art render the body performative?

A collective conversation on a stage laid bare will allow artist and spectator to explore these performative issues.

Oh, Burlesque. All this made me long to do something performative. Perhaps not nude, but definitely performative.
I've decided the phrase "Performative Grilled Cheese" has quite an excellent ring to it. So does its acronym PGC. At Café L'Étincelle, the Bald Baristas make a thoroughly delightful and satisfying grilled cheese. Crinkled, cheesy, and lovingly assembled on substantial pieces of sourdough, it is every best thing a grilled cheese sandwich can be. And all for just $4.25.
Grilled cheese is an outing sort of event for me, for the reason that buying blocks of cheese is way too much of a commitment. Blocks of cheese, loaves of bread, forget it. Grocery shopping has been a disaster ever since the Boatman and I broke up and I moved to Montreal. There are way too many choices and I switch from store to store, wandering down the aisles in paralyzing vacillation. It can get a bit embarrassing. Hence the Bald Baristas.

(I hope they don’t mind that they have suddenly become the Bald Baristas on this highly famous and prestigious blog. My dear B.B.’s, you must know that I give nicknames to all of my favourites!)

I adore the Bald Baristas. If ever you come to Café L'Étincelle, you will see. They are totally adorable. What's more, their grilled cheese renders the body performative.

Before we get to the performance, I want to mention that I developed an extra special love for grilled cheese in India, when the thought of any sort of curry item caused and/or reminded me of liquid shits and/or the nauseous conviction that I should probably get a pregnancy test.

The triple decker grilled cheese, fresh from the streets of Bangalore.
60 rupees. (1.2 dollars)
All the vegetables come from a can.
For 10 extra rupees, you can request brown bread, but I do not recommend this.
One day I will consume turmeric again. Absolutely not now.

Now it is time for the performance. I wore a weird and confusing frilly corset-possessing shirt that my mother gave me. It is an incomprehensible shirt; however, I have a theory that I come across as the sort of person who does not understand shirts, and that this is part of my charm. Underneath the shirt, I was naked. Being naked underneath clothes is one of life’s most fascinating details. It can sometimes be difficult to think about anything else.
confusing frilly corset-possessing shirt from mom.
Can art provide a solution?
When? How?
Is art able to erase the performative nude body?

Very hard to say.

Performative Grilled Cheese, by Erica J. Schmidt:
 
This morning there was also a performative seaweed opportunity, but my I-phone ran out of storage.

The End.
Be sure to visit the Bald Baristas at Café L'Étincelle, 1991 rue Beaubien.
I can't wait for my next Grilled Cheese! Their coffee is also exceptional!
Bonus Performative Broccoli. Why hold back now?
Exuberant Bodhisattva on Facebook
Twitter: @mypelvicfloor
2-3 dollar self-help book, I Let Go

This post was part of a five-day series called, "Five Days of Creative Recovery" during which I will try to post something creative every day, even though my priorities should almost certainly be looking for a new place to live on May 2.

Feel free to join in with your own creative pursuits!

Five Days of Creative Recovery (Introduction)
Day One: Kleenex (working Title)

Jujubes
Selfies with Brownies
Rideshare, Sterilization and Doughnuts
My name is Erica. I love coffee.
 

Tuesday, 26 April 2016

Kleenex

(This is Day One of a Project called "Five Days of Creative Recovery." It is meant as an antidote to Deep Unyielding Depression and various Sources Of Grief. For the next five days, I will do my best to post something creative. Out of words or whatever is possible. Feel free to join me however you'd like!)

Kleenex (working title)

When I was seventeen years old, my father and I flew to Winnipeg, Manitoba to say goodbye to my grandmother before she died. My grandmother was in her late eighties, and I think she had pneumonia.  I know she had nine children, two of them twins, one of them born almost dead. Her husband, Julias had died a good half decade earlier. When he died, I’d sewed Grandma a simple cloth bag out of quilted patchwork. She’d used it to keep her Kleenexes. At one point, my grandmother had insisted on starching my grandfather’s cloth diapers. And then somehow, she’d made the switch from handkerchiefs to Kleenex. Is that what death does to you?

As with most nursing homes, the hallways of Fred Douglas Lodge smelled of urine and antiseptic cleaning supplies. Crowds of half-asleep people in wheelchairs gathered around a large t.v. that played Singing in the Rain. And some poor man in the Lazy Boy cried out for Jesus.

Oh mighty Lord! Help me!

My grandmother spent most of her time in her room. She had a meticulous soap opera schedule to keep up with. When my father and I arrived, the t.v. was on mute. Grandma was lying in bed, a few squares of Kleenex arranged across her chest. We both kissed her and then I helped myself to stale bridge mix. She nodded as I ate. Since we lived so far away, whenever we went to Winnipeg, my father dedicated most of his time to sitting with my grandmother. To make up for all the months he wasn’t there. All his other siblings came at least once a week. If ever anyone missed a visit, Grandma would not be impressed.

Every time I visited Grandma, I felt quite guilty because I had long ago lapsed as her personal correspondent. Between the ages of eight and ten, I’d devoted myself to sending my grandparents letters every single day.

Dear Grandma and Grandpa, How are you? I am fine.

Then I’d go on and on about my violin lessons, swim meets and sleepovers. Back then I was quite a comedian and would often include a few good jokes.
What goes ha ha ha, plop?

Somebody laughing their head off.

Ha. Plop. I feel like I have not said the word “plop” in quite some time.
I used to decorate the envelopes with Mr. Sketch Smelly markers. Then I got busy with my extensive academic, musical and athletic ambitions. The letters simply stopped.
They were the joy of my grandparents’ lives, and then they were over.

“What happened to all the beautiful letters you used to write?” my grandmother sobbed one summer as I kissed her goodbye. Thirteen years old, and now I was a big disappointment. Grandma also complained that my hair wasn’t as lovely and curly as it used to be. So many burdens.
I think I am eleven here. Still sporting the curls, as I try desperately to be photogenic.
But as people are dying, you are supposed to get over such things. On her death bed, every time my grandma had to blow her nose, she ripped off a tiny square of Kleenex. Instead of using the whole thing, she would separate the two-ply pieces in half and then rip them into tiny squares. Four squares for each flimsy half. Days to live and Kleenex still seemed worth saving.
I remember staring at the ripped up Kleenexes. In my seventeen year old head, I thought, “Wow. Life is so tragic. So profound.” I was super deep and wise. Perhaps not, but I was definitely sincere. I felt bewildered that all the people at Fred Douglas Lodge would die, and eventually everyone would forget that they’d bothered to squander Kleenexes all the way to the end. I had this clear thought, that writing was the only real chance for redemption. Otherwise what was the point.

My grandmother died the weekend after we left. It was Easter Sunday. Nobody ever told me whether or not during her final days, she’d branched out and let herself splurge on the whole piece of Kleenex.

The End.
Be Creative.
I love how tidy my bookshelves are. I don't have a bookshelf anymore.
I Let Go, by Erica J. Schmidt (2-3 bucks on Amazon)

 

Monday, 25 April 2016

Five Days of Creative Recovery

The Bald Baristas are closed on Mondays.

Soon I will need to dis-assemble The Erica Museum. I am quite sad about this. These days, I’ve been rather sad about a number of things. The sources of grief, they are easy to find. An obvious slogan on my Brain’s Brochure: “Her thoughts provide an excellent Source of Grief.”

Besides Sources of Grief, my brain also likes to concoct catchy acronyms. As you might already know, Deep Unyielding Depression equals DUD. Sources Of Grief equals SOG. What’s your brain’s favourite SOG?

SOGs often lead to self-deprecating tornados. Tornados and/or hurricanes. Once you get stuck in a tornado or hurricane, it can be hard to escape. SOG-inflicted natural disasters are powerful, fascinating and convincing. In my brain there is no shortage of such natural disasters. Although I have a talent for beating myself up about all sorts of failures, not writing well and/or enough seems to be one of my psyche’s favourite forms of self-torture. Unfortunately, the relentless and self-inflicted pressure is not original. Nor does it really help my cause.

Writer’s block is hard to kick. What a drama. And the thing is, I don’t really even have writer’s block. I write all the time. Constantly. For my translation gigs, in my journals, for my pen pals, for my lucky texting friends. But the SOG story says, “You are not making anything official.  You are not Margaret Atwood. You suck.”
And well, as we’ve already established, I am not like Margaret Atwood. Everyone knows why.
There’s a quote about Margaret Atwood in my self-help book, I Let Go. Once again, I will say, it is rather hilarious that I wrote a book called “I Let Go” since I find it excruciating to let go of anything. I am thinking about writing a sequel, “I Don’t Let Go.” In any case, here’s the I Let Go quote:

“So you didn’t get to be Margaret Atwood this time around.  Neither did anybody else.  Margaret Atwood is Margaret Atwood.  Perhaps she saved time by not humping her duvet, but she still had to experience strenuous shits and sinus colds and mediocre sex.  Plus she’ll probably die before you will.  If not then you get to beat her at turning to worm shit.”
Me and the Hedgeclipper in I Let Go. Excellent Drawing by Sara E. Enquist
As an additional point, one might pity Margaret for having to be so coherent. Poor Marg.
Once my Magic Mushrooms Friend told me I was as smart as Margaret Atwood.
Oh, Marg
As smart as Marg. I find it extremely rewarding to write sentences and phrases that only use one vowel.

Bob throws socks on John’s hot dog.
Su’s ducks fuck up.
She sends tense sentences.

I miss his dick.
Is Dick sick?

The i sentences are the funnest. Is funnest a word? Apparently not.
“We’re not writing a book. We’re writing our lives.” This is one of my favourite quotes from Simon, my ex-ex boyfriend who jumped off a building last January 4th. The good news is, you’re allowed to write your life however you want. In text messages, postcards, or in exquisite copy for soothing skin creams.

Yesterday, I wrote an optimistic poem on Facebook. It came to me as I walked down an alley in my neighbourhood. I was on my way home after hours of fruitless and discouraging apartment hunting.

“Repress your hopeless thought.
Behold the optimistic clothesline.”

the optimistic clothesline
Clotheslines are super optimistic. So are white t.shirts.
behold the white t. shirts.
With great optimism, my friend Naomi once gave me a whitish jacket. On the weekend, during a visit to the Bald Baristas, I somehow managed to get a bunch of black ink all over it. I’m surprised this hadn’t happen much earlier. The incident provoked zero hopeless thoughts. In fact, I felt excitement as I imagined borrowing art supplies and transforming the jacket into something wild and exuberant. Something to wear or to put in my next museum. 
the optimistic jacket
By the way, a total of two people came to visit the Erica Museum. Admission fees were paid in chocolate chips, seaweed, tempeh and hazelnut pudding. Also, I am giving away the Threesome Tights. I do not think I will wear them again. If you think the tights might work for you, please be in touch.
Threesome Tights. Available for a Limited Time Only.
Anyways, all this is meant to introduce my project for this week: Five Days of Creative Recovery. It is meant as an antidote to the SOGs and the DUDs. For the next five days, I will do my best to post something creative. Out of words or whatever I can manage. This blog is often very silly, and I do not have a million readers. Even so, over the years, the process of sharing has brought me immense relief and sometimes joy.  

Thanks for being there.
Love, Erica.

Exuberant Bodhisattva on Facebook
Twitter: @mypelvicfloor
I Let Go, by Erica J. Schmidt (2-3 bucks on Amazon)

Creative Practice, Simon's Genies, and the Exuberant Bodhisattva's Big Exciting Blog News
Yours Til Ekam Inhales
Deep Unyielding Depression

The Erica Museum
Why I am Different from Margaret Atwood...