Clean and Elegant

Clean and Elegant
Showing posts with label ecstatic dance. Show all posts
Showing posts with label ecstatic dance. Show all posts

Monday, 4 May 2015

Ecstatic Dance

With unrestrained enthusiasm and joy, a three year girl greeted me at the Montessori school. Her curly hair flew in every direction as she bounced up and down, arms flailing all over the place.

“Erica,” she asked me through her breathless exuberance. “How’d you get here?”
And so the “How’d You Get Here?” dance was born. From then on, I broke out the “how’d you get here dance,” approximately two and half times per week. The flailing and bobbing is quite becoming when you’re a tall five eight with very large, very curly hair and extremely long limbs.

“Hey babe,” I said to the Boatman, bopping around in the hall beside the bathroom. “How’d you get here?” Then I went to the yoga room to meditate for 35 minutes. I think my heart remained in overdrive for the first thirteen.

Now the Founder of the “How’d You Get Here?” dance is almost five. Despite all the time she spends exuberantly dancing, hopping around like a frog and crawling on the floor like a cat, her Montessori work folder is always bulging with imaginative creations. She paints and draws constantly, often without even looking at the page. I can’t wait to attend her shows when she’s in art school.

As for me, my Montessori career is somewhat over. I have left Halifax, and before settling in Montreal for the summer, I have spent the last couple of weeks in Toronto. Here I am enjoying this odd, in-between place where I don’t exactly exist and nothing feels like it counts.

One of the great highlights of the Toronto visit has been attending Ecstatic Dance. Having lived a somewhat sheltered life, I have never attended a rave; however, many people have told me that Ecstatic Dance is a bit like a sober rave. At Ecstatic Dance, a deejay plays a vast variety of music, and everyone is invited to express whatever is deep inside their bodies. You are welcome to wear a tutu, and the tutu can be green. Halfway through, if you change your mind, you can always take the tutu off. Anything goes.  Some people crawl across the floor like crocodiles, or lions, or hop around like frogs. You can dance with long phallic crystals or magical green rocks. No one is allowed to make fun of you and this is very liberating. It is also very liberating that nobody knows that the only time you could ever dance in high school was after chugging 2 bottles of Mike’s Hard Lemonade concealed inside juice bottles in the Student’s council room. By the way, my sister was the student council president.


Sister and Me, Restrained Ecstatic Dancing, Halifax Harbour
So far I have been to Ecstatic Dance three times. I find I frequently pull out the “How’d You Get Here?” dance. The bobbing and bouncing and particularly the limb flailing seem to truthfully match what’s deep inside of me.  I also do a great deal of bending my crooked spine over to the right and twisting it in circles over and over again. When I get tired, I roll around on the floor in incoherent ways. If I consider the unrelenting misery that was February, I never would have imagined myself participating in anything so joyful and uninhibited. Then again, why the hell not?
Despite the fact that I wrote a book called “I Let Go,” I always hesitate to tell people to get over shit. After all, as Margaret Atwood says, Old Neurological Pathways Die Hard. Even so, if you claim to be one of those people who can’t or just doesn’t dance, I say to you, Get the Fuck Over it. Ecstatic Dance is perfect for you. Be a tiger. Be an octopus. Jump around like you’re three and a half.

At the end of Ecstatic Dance, the music slows down and you might get the chance to roll around on the floor with another person’s body in a relatively unsexual way. Not everyone has a temporary or long-term source of cuddling slash sexual gratification and I feel like this end-of-dance floor union provides a viable option. Last Thursday night, I rolled around on the floor with a man who was wearing an extremely tight and short black spandex mini skirt. Although I’d assumed that he’d chosen the skirt to reflect his deepest creative self, I guess he’d actually forgotten his shorts and had resorted to raiding the lost and found. All he could find was the tiniest spandex mini skirt in the world. I didn’t find this out until afterwards and thus, I felt quite safe and dancing with a man in a spandex mini-skirt. In some ways, it was very safe and in other ways, not so safe. Still, we managed to avoid catastrophe.

When it was all over, the Man in the Skirt and I chatted about who we were, where we were from and what our creative lives were all about. Within approximately six and a half sentences, I pulled out the “Oh yah,my ex-boyfriend jumped off a building in January” speech. All the people of Toronto have been amazingly receptive of this speech and for this I have been immensely grateful.  
The Man in the Skirt asked for my contact info and on Friday, he sent me a poem. I think it was about someone else ejaculating. Or it could also have been about conception. It seems like both of these things are popular poetry topics. It is always a bit fun when someone sends you a poem.

“You have such a wonderful sister,” the Man with the Skirt told my sister before we left. Ecstatic Dance makes you feel so wonderful about yourself. Life is very exciting. How’d we get here?
The End.

I forgot to mention that at Ecstatic Dance, quite a few people wear Spiritual Pants. It was quite a delight to see Spiritual Pants again. That said, I left my spiritual pants in Montreal and kind of feel as though the low crotch would impede my How’d You Get Here? dance.


Spiritual Pants and the Darling Canadians in Mysore, Green Hotel
So I’ve started a new creative practice routine where I post every MONDAY around 4 or 5 PM and THURSDAY around lunch time. One of my relatives who also happens to be a Social Media Expert claims that this is not the most auspicious social media time, but I have a Kale Phone and don’t tend to take this sort of thing into consideration. We’ll see how it goes. Stay tuned and free to follow me in whatever capacity seems to best match what’s deep inside your body:

Exuberant Bodhisattva on Facebook
Twitter: @mypelvicfloor
I Let Go, by Erica J. Schmidt

Or I'm pretty sure you can also click on Subscribe at the bottom of this post.


HAPPY MONDAY!!!
Creative Practice, Simon's Genies, and the Exuberant Bodhisattva's Big Exciting Blog
Jujubes
Ecstatic Adventures of the Exuberant Bodhisattva
Darcy, which features a blue tutu


Ecstatic Dance takes place on Mondays, Thursdays and Fridays from 7:30-9:30 at Dovercourt House, 805 Dovercourt Rd.
Ecstatic Dance Thursdays in Toronto 
The Move (Fridays)


 

Sunday, 3 May 2015

Creative Practice, Simon's Genies and the Exuberant Bodhisattva's Big Exciting Blog News

Last Thursday evening at the end of Ecstatic Dance, which you can read all about tomorrow, I ran into a man carrying a pile of paper plates and an open package of plastic forks. He had been in charge of the birthday cake, but alas, there was no more. I’d been blabbering away about how I’d self-published an illustrated self-help book and the man with the plates and the forks seemed quite intrigued. I helped him look up the book on Amazon.
 
“My name’s Simon,” he said. We shook hands and inched our way to the top of the stairs outside the dance room. I stood at the top, and he stood two steps below.

“Oh,” I said. “I have a soft spot for Simons.” And thus, I’d arrive at the perfect segue to embark upon the “My ex-boyfriend jumped off a building,” speech. Thank you, to Simon the dead Hermit, who has provided me with so many fabulous pick-up lines that may last me the rest of my life. I told the other Simon all about me and Simon Girard’s three-part epistolary novel, The Little Savage and the Hermit. How most of it was terrible and embarrassing. How most of our relationship was terrible and embarrassing. But now that Simon was dead, maybe it was suddenly really important. The other Simon put down his plates and forks and embraced me out of nowhere.

“It’s something to love someone who suffers so much,” he said. “It’s amazing how people suffer so much…” For a few moments, we held our embrace on the stairs. Then the unrestrained conversation continued. The other Simon does something important that has to do with telephones and left-wing political parties. From what I understand, it is also good for the environment. His father writes piles of important books about various non-fiction issues. The last one was about the CBC and what he considers to be the ideal model for public broadcasting. When asked about my job, I said I do piece-meal work translating stuff from French to English. I’m not insatiably passionate about it, but I like to keep up my French, it is stimulating enough, plus I get to pick my own schedule.

“So if you had a genie, what would you ask for?” said Simon.
When’s the last time someone asked you that? It’s easy to just laugh off this sort of question. Since we all know that nothing in the world can make life entirely unrelentingly blissful. Still, what is so terrifying about considering what we want?

For me, I want a healthy, healed body. Regular sources of sexual gratification and intimacy are also helpful. I want regular, exuberant, uninhibited, and unceasing conversations about sex, yoga, bodies, eating disorders and people’s lives. I want this somehow incorporated into my daily existence. (I.E. ERICA, START A FUCKING PODCAST…) And the other thing that has created a consistent source of grief in my life has been the unrelenting notion that somehow I am failing creatively. That I am forever lacking a creative focus, a fruitful creative practice, and at the end of my life, this will leave me with Deep Regrets. The pressure of making something massive and groundbreaking is paralyzing and enormous. And then it occurred to me, what is wrong with making blogging your creative practice?
So maybe blogs are too 2008, and maybe they’re not the most literary or artistic or edgy mediums. But just because you didn’t get to be Margaret Atwood this time around doesn’t mean you don’t get to be a writer. There are a million different ways to be a creative person. And if your transcribed verbal machine gun provides you and even a mere handful of people with some joy and relief, well then, why not just run with it?

And so, I’ve decided that this blog, this random slew of sentences and awkward graphics will become my new, official creative practice. After beating myself up forever throughout torturous efforts to write novels and plays about foot fungus, I realize that it is through blogging, through these uncensored, reality-based words that I find my most natural and authentic voice. And although there’s some value in challenging yourself to create beyond what’s natural and easy for you, there’s also something terribly painful and futile about trying to fit into a mold that’s just not you. Margaret Atwood is Margaret Atwood. You get to have a Kale Phone.

Me and my Kale Phone
So that’s that. Thank you to the Simon who didn’t jump off a building for asking me about my genies. When it was time for him to go, he said, “You are such a delightful ball of candid emotional intimacy.” It is one of the kindest compliments I have ever received. I will try to live up to it as I go about my days.

The End.

Bless all the Simons I have known, Bless Ecstatic Dance, and Bless Toronto. I am here until Tuesday, at which point I am going to Montreal for at least the summer…  From now on, I am going to try to post something new, every MONDAY around 4 or 5 o’clock, and every THURSDAY, around lunchtime. Maybe I will also do that Throwback Thursday Thing on my Facebook Page, even though it is a little silly. I invite you to follow me however you would like.
Or I'm pretty sure you can also click on Subscribe at the bottom of this post.
P.S. Who remembers the Karadavasana duck? Seems like a lifetime away... 

Karandavasana Duck: created by my very talented artist friend Sara E. Enquist. Check out her website!
Yours til Ekam Inhales
Simon Girard (1979-2015)
Ecstatic Adventures of the Exuberant Bodhisattva